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Showing posts with label BJW. Show all posts
Showing posts with label BJW. Show all posts

Thursday, January 18, 2024

[BJW][Nico Live] "BIG JAPAN STRONG POINT" on 1/22 LIVE

BJW (Big Japan Pro-Wrestling) was founded in 1995 and is Japan's longest-running hardcore / deathmatch wrestling promotion, and both the Death Match and Strong BJ divisions will take center stage on Monday January 22, when BJW presents, "BIG JAPAN STRONG POINT". The event starts at 18:00 Japan Time and will be broadcast LIVE via Nico Live, a livestreaming service based in Japan that has over 23 million registered users worldwide. You can purchase "BIG JAPAN STRONG POINT" for free by becoming a member of BJW's channel for 550 yen per month, which is around 4 USD.



The card will be as follows:


Daisuke Sekimoto (former BJW Tag Team Champion)
Yasufumi Nakanoue (former BJW Tag Team Champion)
vs.
Daimonji So
Kazumasa Yoshida




Yuya Aoki (BJW World Strong Heavyweight Champion)
vs.
Kazumi Kikuta




Kazuki Hashimoto (former Tohoku Tag Team Champion)
Satsuki Nagao (ZERO1 star)
vs.
Takuya Nomura (former BJW Tag Team Champion)
Fuminori Abe (former BJW Tag Team Champion)




Ender Kara (BJW Junior Heavyweight Champion)
Zeke Andino
vs.
Tatsuhiko Yoshino
Kota Sekisuda




Hideyoshi Kamitani (former BJW Tag Team Champion)
Daichi Hashimoto (former BJW Tag Team Champion)
vs.
Abdullah Kobayashi (former BJW Tag Team Champion)
Ryuji Ito (former BJW Tag Team Champion)




Yuki Ishikawa (former NWA Intercontinental Tag Team Champion)
Daiju Wakamatsu
vs.
Kankuro Hoshino
Masaya Takahashi

Wednesday, September 20, 2023

The History of BJW: Japan's Longest-Running Hardcore / Deathmatch Wrestling Promotion

BJW (Big Japan Pro-Wrestling) was founded in 1995 by former NWA Americas Heavyweight Champion Great Kojika and former AWA Southern Heavyweight Champion Kendo Nagasaki. There were many promotions created in Japan during that decade, but BJW stood out from the traditional style of Japanese promotions, as it featured a hardcore (better known in Japan as deathmatch)-style product.

In BJW's early years, not every card featured hardcore action, and the ones that did would feature only one hardcore match. That changed in July 1998, when the company began having more than one hardcore match on a card, and the BJW Death Match Heavyweight Championship was established that next month. For three years, the talent on BJW events had been showing that they were very skilled wrestlers, displaying psychology from the opening bell to the end of the match, ring presence and quick-thinking being included in matches, with every move being executed for a reason. So when the focus on hardcore wrestling increased, it blended together with technical wrestling, adding to the action and creating a unique and exciting style of wrestling.

As BJW continued to focus on the hardcore style into the 2000s, wrestlers including Ryuji Ito, Abdullah Kobayashi, and Jaki Numazawa began to be recognized on the hardcore / deathmatch scene for their exceptional proficiency as wrestlers of that style. They were amongst the top draws on the BJW roster and helped increase the company's popularity. It was in 2009 when, with the company able to draw 1,256 fans to the Korakuen Hall in Tokyo (Japan's Madison Square Garden) and having a television show on Fighting Samurai TV in Japan as well as a strong reputation as a deathmatch company, BJW was ready to branch out to the international market.

The BJW English website made its debut in the early part of 2009, making BJW one of the first Japanese wrestling companies to make a website to attract the English market outside of Japan. One of its features was Big Japan Shop, which had many BJW products available for purchase, including DVDs. Knowing that I could help the company connect with the English market, I reached out to BJW, and began writing a column for the website, as well as became an Administrator for their Facebook page.

As BJW's popularity continued to increase, American networks were interested in the BJW product, and it caught the attention of the American wrestling scene as well. In 2011, CZW reached out to me expressing interest in working with BJW. In the early-2000s, BJW and CZW had a working relationship that ultimately fell apart. But the CZW of 2011 was under new management, and a working relationship with CZW would be a good opportunity for BJW to include American hardcore wrestlers in its events in Japan as well as potentially increase its footprint in the United States. I helped bring BJW together with CZW to form a new working relationship, which led to BJW having its first event in the United States.

By 2012, BJW slowly began to focus on its Japan audience again. Its English website was no longer being updated (although I continued doing the Bout Review column and other BJW-related writing on my blog), and it went back to its roots, reminding fans in Japan that although BJW is excellent at presenting hardcore wrestling, that isn't the only style of wrestling that its great at. BJW introduced the BJW World Strong Heavyweight Championship, created to spotlight the type of wrestler who does not focus on the hardcore style of wrestling, and giving the wrestlers of its strong style division (Strong BJ) a championship of its own. With the BJW World Strong Heavyweight Championship a part of BJW's main event scene along with the BJW Death Match Heavyweight Championship, the company can claim that it has some of the best world-class wrestlers, of both the strong style and hardcore styles.




Today, Daisuke Sekimoto, Yuji Okabayashi, Daichi Hashimoto, Yasufumi Nakanoue, and Yuya Aoki are amongst the main eventers of the Strong BJ division. Ryuji Ito, Abdullah Kobayashi, and Jaki Numazawa continue to the represent the Death Match divison well, and have been joined by others including Kankuro Hoshino, Masaya Takahashi, and Yuki Ishikawa. Some wrestlers have managed to make an impression in both divisions, such as Hideyoshi Kamitani.

With both divisions being equally impressive, it's fair to say that the Strong BJ division is more popular, due to it being more mainstream. There would be more American networks willing to air that division's style of matches. However, the hardcore matches of BJW's Death Match division are no less exciting. Some of its most popular match types are, "Weapon Bringing Death", "Fluorescent Lighttubes Death", and "Barbed Wire Board Death".

Strong BJ and Death Match are not the only divisions that BJW features. With wrestlers from both divisions, the BJW Tag Team division is considered by many fans to be one of the top tag team divisions in Japan. Kazuki Hashimoto, Kota Sekifuda, and Tatsuhiko Yoshino are some of the wrestlers who are a part of the BJW Junior Heavyweight division, which many fans feel is competitive with the Strong BJ division. There is also a six man tag team division, where the BJW Yokohama Shopping Street Six Man Tag Team Championship is defended.





BJW is a unique and important promotion that has had a significant impact on the world of pro-wrestling. The company's focus on hardcore wrestling has helped to popularize the style around the world and is a popular destination for fans of it. Also, many wrestlers who are very familiar to North American wrestling fans have passed through BJW's doors, such as WALTER (currently wrestling for WWE as Gunther), Zack Sabre Jr., Adam Cole, Chris Hero, former WCW Light Heavyweight Champion Jushin Thunder Liger, Tomohiro Ishii, and Tommy End (who more recently wrestled for AEW as Malakai Black).

In recent years, BJW has resumed branching out to the international market, providing information in English, exporting DVDs overseas, and now also has a streaming service, as it attempts to grow its large fanbase even more as BJW likely will continue to provide wrestling fans with exciting action for many years to come.

Saturday, March 9, 2019

Japanese Pro-Wrestling on TV in Japan (and Potentially Beyond) in 2019

A big topic as of late has been the increase of the amount of pro-wrestling shows on American television. This year, WWE, NJPW, WOW, ROH, CMLL, AAA, Impact Wrestling, CWFH, and MLW have been presenting pro-wrestling on a weekly basis. And there may be an addition this year as AEW aspires to have a TV deal in the near future as well.

Meanwhile, pro-wrestling has also been thriving as a television product in Japan. NJPW -Japan's biggest pro-wrestling company- is seen weekly via the TV Asahi network. Unlike the United States, where fans are required to have cable in order to watch programs of the most popular companies in the country, cable is not required to watch NJPW programs in Japan on TV Asahi.

GAORA SPORTS provides viewers with Dragon Gate, AJPW, OZ Academy, and WRESTLE-1. Meanwhile, NOAH can be seen regularly on the Nittele G+ sports channel and Samurai TV via satellite. Samurai TV also shows NJPW, ZERO1, Stardom, AJPW, BJW, DDT Pro, and more on their network. In total, pro-wrestling fans in Japan are able watch at least 10 different companies on television regularly, with the biggest one being able to be viewed without needing cable or satellite.

Although the pro-wrestling scene is very healthy in Japan, it has the potential to be even healthier. Being that WWE is biggest company in the industry, they have made the United States the center of the pro-wrestling industry. Alexa (a web traffic and ranking website) shows how much attention WWE captures from fans who live in the United States, and how much of an impact they have on their traffic rank. According to Alexa, http://www.WWE.com has a traffic rank of 3,009, with the majority of its visitors being based in the United States.

Japanese pro-wrestling companies branching out to the American market would enable them to potentially gain new fans from the same fan base that WWE has, as well as pro-wrestling fans who don't like the WWE product and are looking for something different. NJPW has already done this- they are currently featured on AXS TV, a network that presents the NJPW product to 200,000 American viewers every week. There are many other networks for the NJPW product to potentially be on, including ones that would be better than AXS TV, but the fact remains that NJPW's exposure had a positive impact on the company. Alexa's report on http://www.njpw.co.jp/ 's traffic rankings from the past three months are proof of this. As of this writing, the website was ranked at 75,409, having had moved up 19,483 positions versus the previous three months.

Just as how NJPW has increased its exposure by branching out to the American market, other pro-wrestling companies in Japan can (and should) do the same. Every company has a style of wrestling that is different from what American pro-wrestling fans usually are exposed to, which surely would gain their attention. And along with exposure, the pro-wrestling company would gain the financial benefit of the American television network paying them to show episodes of the wrestling program on the American television network.

Sunday, January 20, 2019

The Powerslam Wrestling Network

Recently I became aware of the Powerslam Wrestling Network, a pro-wrestling mega-channel that launched a few months and is avalable on iOs, AppleTV, iTunes, Android, and Roku apps, and online at http://Powerslam.TV. It is also available on Chromecast. The Powerslam Wrestling Network has over 4,300 hours of content from over 110 promotions around the world, including Japan's Sendai Girls, BJW, and FREEDOMS; the UK's RPW; Canada's ECCW; and the United States' CZW and WSU.

The Powerslam Wrestling Network is one of the best pro-wrestling channels available today, as well as the largest. Along with excellent wrestling content that is updated on a regular basis (which includes events and shows that are presented exclusively), it has no ads, and also presents interviews, backstage footage, round tables, and lifestyle videos-all at a low price of only $5.99 a month.

Click here for a 7-day free trial.
Use the coupon code HW13 for a free month when you subscribe.

Thursday, November 22, 2018

[BJW][PREVIEW] 11/27/18

BJW comes to the Korakuen Hall in Tokyo on November 27. The card will be as follows:

Shinobu (former Open the Triangle Gate Champion)
Tsutomu Oosugi
Tatsuhito Senga
vs.
Brahman Shu
Brahman Kei (former Yokohama Shopping Street 6-Man Tag Team Champion)
Yuichi Taniguchi

Kazuki Hashimoto (former Yokohama Shopping Street 6-Man Tag Team Champion)
Yuya Aoki
Takuho Katoh
vs.
Tatsuhiko Yoshino
Kōta Sekifuda
Akira Hyodo

Ryūichi Kawakami (former Yokohama Shopping Street 6-Man Tag Team Champion)
Takuya Nomura
Fuminori Abe
vs.
Daichi Hashimoto (former Yokohama Shopping Street 6-Man Tag Team Champion)
Hideyoshi Kamitani (former Yokohama Shopping Street 6-Man Tag Team Champion)
Yuki Ishikawa

Barbed wire board Tag Deathmatch
Yuko Miyamoto (BJW Tag Team Champion)
Takayuki Ueki
vs.
Minoru Fujita (NWA Intercontinental Tag Team Champion)
Kankurō Hoshino

Hideki Suzuki (BJW World Strong Heavyweight Champion)
vs.
Kazumi Kikuta

Special Tag match
Daisuke Sekimoto (former BJW Tag Team Champion)
Yuji Okabayashi (former BJW Tag Team Champion)
vs.
Ryota Hama (BJW Tag Team Champion)
Yasufumi Nakanoue (BJW Tag Team Champion)

Tag Deathmatch
Masaya Takahashi
Toshiyuki Sakuda
vs.
Masashi Takeda (former BJW Tag Team Champion)
Takumi Tsukamoto (former BJW Tag Team Champion)

Wire Mesh / Fluorescent Tag Deathmatch
Ryuji Ito (BJW Tag Team Champion)
Ryūichi Sekine (NWA International Lightweight Tag Team Champion)
vs.
Abdullah Kobayashi (former BJW Tag Team Champion)
Yoshihisa Utoh

Thursday, November 8, 2018

[BJW][PREVIEW] "RYOGOKUTAN~2018" 11/11/18

BJW presents, "RYOGOKUTAN~2018" on November 11 at Ryogoku Kokugikan in Tokyo. The card will be as follows:

Yuichi Taniguchi
vs.
Atsushi Ōhashi

Akiyori Takizawa
Akira Hyodo
vs.
Takuho Katoh
Yuki Ishikawa (former NWA Intercontinental Tag Team Champion)

Takuya Nomura
Fuminori Abe (NWA International Lightweight Tag Team Champion)
vs.
666
Shinobu (former BJW Tag Team Champion)
Koju Takeda

Strong BJ
Daichi Hashimoto (Saikyo Tag League 2017 winner)
Hideyoshi Kamitani (former BJW Tag Team Champion)
vs.
Yoshihisa Uto
Kazumi Kikuta

Great Kojika
Shiro Koshinaka
Brahman Shu
Brahman Kei
vs.
Tsutomu Oosugi
Tatsuhito Senga
Tatsuhiko Yoshino
Kōta Sekifuda

Barbed wire board 6 Tag Deathmatch
Yuko Miyamoto
Takumi Tsukamoto (former Yokohama Shopping Street Six Man Tag Team Champion)
Kyu Mogami
vs.
Minoru Fujita
Kankurō Hoshino (former Yokohama Shopping Street Six Man Tag Team Champion)
Ryūichi Sekine

Yuji Okabayashi(fomer BJW World Strong Heavyweight Champion)
vs.
Ryuichi Kawakami

Table match for the BJW Tag Team Championship
Ryota Hama (BJW Tag Team Champion)
Yasufumi Nakanoue (BJW Tag Team Champion)
vs.
Takayuki Ueki
Toshiyuki Sakuda

BJW Junior Heavyweight Championship match
Kazuki Hashimoto (BJW Junior Heavyweight Champion)
vs.
Yuya Aoki

Madness Massacre Returns
Abdullah Kobayashi (BJW Tag Team Champion)
Ryuji Ito (BJW Tag Team Champion)
vs.
Jun Kasai(former BJW Tag Team Champion)
Jaki Numazawa (BJW Tag Team Champion)

BJW World Strong Heavyweight Championship match
Hideki Suzuki(BJW World Strong Heavyweight Champion)
vs.
Daisuke Sekimoto (former BJW World Strong Heavyweight Champion)

BJW Deathmatch Heavyweight Championship match
Masashi Takeda (BJW Deathmatch Heavyweight Champion)
vs.
Masaya Takahashi (former BJW Deathmatch Heavyweight Champion)

Friday, July 14, 2017

[REVIEW] Japanese Hardcore Wrestling

The hardcore style adds to the excitement of a match when it is performed by wrestlers who can wrestle. The talents on these Japanese Hardcore Wrestling DVDs definitely fit that definition, in matches featuring wrestlers from Big Japan Pro-Wrestling, DDT Pro, Japan Women’s Pro Wrestling, Michinoku Pro, and more. These shows were previously shown via PPV nationally in the United States.

Friday, September 4, 2015

Japanese Pro-Wrestling on TV in Japan (and Potentially Beyond)

A big topic as of late has been the decreasing of the amount of pro-wrestling shows on American television. This year, WWE, TNA, NJPW, ROH, CMLL, Lucha Underground/AAA, and the GWF (via ESPN Classic replays) have been presenting pro-wrestling on a weekly basis. However, the landscape may be changing as the year draws to a close, with there being rumors that Destination America will be dropping TNA's, "Impact Wrestling" program, and El Rey has yet to renew, "Lucha Underground".

Meanwhile, pro-wrestling has been thriving as a television product in Japan. NJPW -Japan's biggest pro-wrestling company- is seen weekly via the TV Asahi network. Unlike the United States, where fans are required to have cable in order to watch programs of the most popular companies in the country, cable is not required to watch NJPW programs in Japan on TV Asahi.

NOAH can be seen regularly on the Nittele G+ sports channel and Samurai TV via satellite. Samurai TV also shows JWP, Stardom, Pro Wrestling ZERO1, BJW, DDT Pro, AJPW, Legend the Pro-Wrestling, and more on their network. Meanwhile GAORA TV provides viewers with Dragon Gate, AJPW, Wrestle-1, and Oz Academy. In total, pro-wrestling fans in Japan are able watch at least 12 different companies on television regularly, with the biggest one being able to be viewed without needing cable or satellite.

Although the pro-wrestling scene is very healthy in Japan, it has the potential to be even healthier. Being that WWE is biggest company in the industry, they have made the United States the center of the pro-wrestling industry. Alexa (a web traffic and ranking website) shows how much attention WWE captures from fans who live in the United States, and how much of an impact they have on their traffic rank. According to Alexa, http://www.WWE.com has a traffic rank of 1,468, with the majority of its visitors being based in the United States.

Japanese pro-wrestling companies branching out to the American market would enable them to potentially gain new fans from the same fan base that WWE has, as well as pro-wrestling fans who don't like the WWE product and are looking for something different. NJPW has already done this- they are currently featured on AXS TV, a network that presents the NJPW product to 200,000 American viewers every week. There are many other networks for the NJPW product to potentially be on, including ones that would be better than AXS TV, but the fact remains that NJPW's exposure has increased and has had a positive impact on the company. Alexa's report on http://www.njpw.co.jp/ 's traffic rankings from the past six months are proof of this. On March 4, 2015, http://www.njpw.co.jp/ had a traffic rank of 37,833. As of this writing, the website was ranked at 28,380 (the lower the number, the higher the rank).

Just as how NJPW has increased its exposure by branching out to the American market, other pro-wrestling companies in Japan can (and should) do the same. Every company has a style of wrestling that is different from what American pro-wrestling fans usually are exposed to, which surely would gain their attention. And along with exposure, the pro-wrestling company would gain the financial benefit of the American television network paying them to show episodes of the wrestling program on the American television network.

Saturday, December 28, 2013

The People Who Impressed Me The Most This Year

As 2013 draws to a close, I wanted to post a blog spotlighting those in the pro-wrestling industry who impressed me the most this year. You are welcome to contribute your own list in the comments section of this post, since I'm sure that everyone has their own individual opinions regarding this topic.

DAISUKE SEKIMOTO: Daisuke Sekimoto is best known for the work that he has been producing for over a decade in BJW. Sekimoto has been very successful there- the BJW Heavyweight Championship, BJW Tag Team Championship, and BJW World Strong Heavyweight Championship all being on his resume. However, Sekimoto also did very well outside of BJW this year, winning the wXw (a German-based promotion) World Triangle League tournament. His success in Japan and appeal outside of it makes it clear that Sekimoto can take his career in any direction that he chooses- although Sekimoto can continue to focus his career in Japan (where his physical ring style would probably be most appreciated), WWE and TNA are not strangers to looking at international talent.





ERIC BISCHOFF: All creative minds have their own individual styles, and everyone has their own individual tastes. I personally enjoyed Eric Bischoff's run in TNA as a participant in the company's creative direction. TNA always had a talented in-ring roster, but for many years I felt that the company didn't make the best possible use of that talent. I enjoyed many of the storylines, angles, and match-ups during his time there, including this year. My favorite storyline was, "Aces and Eights". It was exciting and entertaining, it made the talents involved more interesting, and it gave new faces in TNA (D.O.C., Ivelisse Velez, Knux, and Wes Brisco) a platform to show what they could do. The Aces and Eights was often compared to the NWO, and I too saw the similarities. This was a positive for me, because the NWO storyline was another favorite of mine.



HULK HOGAN: During Hulk Hogan's 30+-year career in the pro-wrestling industry, he has been the top name of every major company that he has worked for, he has been an actor, a musician, and has even started his own businesses. Most people would say that Hogan has done it all. However, this is not true, because he continues to explore and involve himself in new areas of the business world. This year it was Hostamania, Hogan's own web hosting service. It's anyone's guess what new endeavor he will explore in 2014.



KANE: For the past 18 years, Glenn Jacobs has been one of the best performers in WWE. No matter what gimmick the company has given him, Jacobs worked it to the best of his ability. "Kane" has been his most entertaining gimmick, and it has been his most successful one. This year, the character has been taken in a new direction, as Kane has gone from being a monster of destruction to being an executive. On paper, it sounds like a bad idea, and I personally wouldn't have changed Kane's character. And yet, Kane is making it work. With his new corporate image, Kane's character has changed extensively, to the point that, "Mr. Jacobs" would be a more appropriate name for him than, "Kane". But it has been shown that behind the currently calm demeanor of Kane, the monster still lurks within (and hopefully it will be seen sooner than later).



MARK HENRY: Mark Henry was absent from WWE-TV three times this year: In January due to recovery from surgery, during the end of spring due to injuries, and when he took time off during most of the fall. Yet every time that Henry returned, he made a dominant impact, to the point that it was easy to forget that Henry had been inactive. And his retirement angle was in my opinion one of the biggest swerves of the year- Henry had put so much emotion into his promo that many were convinced that Henry truly was retiring, which led to their being shocked by the swerve.





NATALYA: I feel that Natalya has been underutilized for quite some time in WWE. She is the only total package who they have in their female division, yet Natalya is often pushed aside so that other female talents in the company can be in the spotlight. What surprised me often is that it never seems to bother her. While many members of the pro-wrestling industry use social media to vent career frustrations, or become sluggish in the ring due to unhappiness, Natalya always gives 100% and never appears to be unhappy with her position in the company. However, WWE's new reality series, "Total Divas" revealed that Natalya is no stranger to being frustrated while being in WWE. One example was when she was told that she wasn't booked for a WrestleMania match. With all of the obstacles that Natalya faces in WWE, she never lets her frustrations show through her conduct as a WWE talent. Instead Natalya remains professional, gives the fans what they expect, and gives the company what they want. All of this shows how valuable she is to WWE and the industry as a whole.



THE UNDERTAKER: Even though The Undertaker is at an age where most other wrestlers would have hung up the boots by now because they could no longer go in the ring, he continues to give excellent performances. After having only one match in 2012 and working one house show in March, The Undertaker wrestled CM Punk at WrestleMania without any ring rust, giving what in my opinion was the best match of 2013.

Saturday, December 29, 2012

4 Reasons Why BJW Has Survived As Long As It Has

For many years now, the claim has been made that the hardcore wrestling scene is dying. State athletic commissions in the United States have eliminated the use of "weapons" (anything that is not a part of the human body) during matches, and the two biggest companies in the industry -WWE and TNA- no longer have chairshots to the head as a part of their shows. At first glance, it would appear that the dire predictions of the hardcore wrestling scene are true.

And yet, over 15 years after it's debut, Big Japan Pro-Wrestling continues to survive, while still focusing on its hardcore niche. BJW draws very well at the 2,005 capacity Korakuen Hall in Tokyo (Japan's MSG), they have a television show on Fighting Samurai TV in Japan, and DVDs that feature the BJW product are still available across the country in the United States. Meanwhile, ECW and FMW -two other hardcore promotions that were very popular- are now merely a part of wrestling's past. Which poses the question- why has Big Japan Pro-Wrestling continued to persevere, while other members of the hardcore scene have been unable to? There are 4 reasons:


1. BJW ISN'T ONLY ABOUT HARDCORE WRESTLING: The drawback of presenting a product that focuses solely on the hardcore style is that critics are quick to claim that it is being done because the talent on the roster are not very skilled wrestlers. And regardless of whether or not the claim is true, it will often appear that it is. However, BJW blends together hardcore and technical wrestling. Psychology is displayed from the opening bell to the end of the match. Ring presence and quick-thinking is included in matches, and every move that is executed is done for a reason.

Also, BJW has spotlighted their non-hardcore division (Strong Big Japan) by giving it a title of its own: The BJW Strong Heavyweight Championship. This Championship is the third most important Championship in the company, with the BJW Deathmatch Heavyweight Championship being the most important, followed by the BJW Tag Team Championship.


2. STAYING TRUE TO THEIR NICHE: In order to be very successful in business, a product must be either better or different from the competition. Even though hardcore is not BJW's only style, it's definitely their niche and main focus. The hardcore style appeals to a segment of the pro-wrestling audience, and most promotions do not focus on that style. Therefore, BJW stands out.

FMW stood out at one time as well, with their hardcore style leading to multiple FMW DVDs being produced in the United States. Eventually however, FMW changed direction, becoming a product similar to WWE, presenting a sports entertainment style as opposed to a hardcore one. FMW was no longer different, and they were not better at the sports entertainment style than WWE. FMW's product change was a blow to the company; and less than 10 years later, FMW declared bankruptcy.


3. BOOKING HOUSE SHOWS IN SMALL VENUES: Since hardcore wrestling is a niche of the wrestling market, it's potentially more difficult for BJW to make money. The same goes for all hardcore promotions, as ECW and FMW proved when they went bankrupt. However, BJW spends money wisely. Their televised events are booked in large venues, such as Korakuen Hall (2,005 capacity) and Bunka Gymnasium (5,000 capacity).

Meanwhile, BJW's house shows are booked in much smaller (and likely less expensive) venues. The televised shows in big venues attract viewers enough to buy tickets to the house shows, and with the venues being smaller, a big profit can be made if the turnout is decent considering the size of the venue.


4. THE UNITED STATES IS NOT BJW'S MAIN TARGET AUDIENCE: Even though BJW branched out in 2009 via their English website, BJW's main target audience is Japan. This is very beneficial to them, since BJW likely would not be as successful as they are now were they to make the US their main audience.

In Japan, BJW can have shows anywhere, and without having to tone done their product. That would be impossible for them to do in the US, due to many state athletic commissions and their rules regarding what wrestling promotions are allowed to do.

Also, BJW is in a very good position TV-wise in Japan, as they are on Fighting Samurai TV, a cable network that is dedicated to pro-wrestling. Although there has been interest from American networks in the BJW product, none of them were networks that would be competitive with USA (which presents WWE), or Spike (which presents TNA). Besides, even if BJW were on an American network, they would likely have to contend with groups holding extreme views that are against televised violence and would attempt to have BJW-TV removed from American airwaves. BJW has gotten around this potential roadblock however, with the product receiving American exposure on US PPV and across the country on DVD.


Harold Williams
@HWilliams13 on Twitter

Wednesday, May 9, 2012

BJW Bout Review: Jun Kasai vs. Jaki Numazawa Madness of Massacre

In this review, we will look at Jun Kasai vs. Jaki Numazawa from March 12, 2009 at Shin Kiba 1st Ring in Tokyo. It took place on the eve of Friday The 13th, and was a death match titled, "Madness of Massacre". As a tag team, Kasai and Numazawa are one of the most successful teams in Big Japan Pro Wrestling history. They have won the Tag Team Championship three times as of this writing, which is a record. However, as dominant they are as a tag team, their skills shine even more when they compete against each other in singles matches, as this match proved.

The ring was prepared with everything that Kasai and Numazawa would need to present the fans in attendance with the promised massacre. A row of fluorescent light tubes was draped over the ropes on two sides of the ring, bundles of light tubes lied in all four corners, light tube crosses lay in two of the corners, and a double ladder stood on one side of the ring with one end of a scaffold lying atop it. The other end of it was atop a double ladder standing in the entranceway. Kasai and Numazawa started the match with a chain wrestling exchange, serving as a reminder that they are both more than death match wrestlers. The style of the match changed when they began trading forearm shots. Numazawa, thinking that he had gained the advantage after coming out of nowhere with a quick headbutt, looked to the crowd for approval. However, when Numazawa turned his attention back to Kasai, he was met with a light tube shot. Numazawa retaliated by grabbing a light tube of his own and smashing it over Kasai's head. The match then slightly became a game of can-you-top-this, as Kasai went on to headbutt a light tube into Numazawa's forehead, followed by Numazawa doing the same thing to Kasai. After kicking Numazawa in the gut, Kasai Irish whipped him into light tubes that were draped over the ropes, exploding them, followed by Numazawa doing the exact same sequence of moves. Numazawa's sequence was a bit more effective however, proven by Kasai dropping to the mat.

When Kasai got back to his feet, Numazawa attempted to Irish whip him into one of the light tube crosses that was in a corner, but Kasai reversed the move, sending Numazawa crashing into the cross instead. Kasai then bodyslammed him in the middle of the ring, placed two light tubes between Numazawa's legs, and stomped on them until they snapped. Hopefully the light tubes were the only things that snapped. Kasai grinned a sinister grin, taking joy in Numazawa's predicament, who was crouched face down on the mat in obvious pain. When he slowly got back to his feet, Kasai hit Numazawa with a knee lift, and then rammed his head into a turnbuckle. With Numazawa still in the corner and with his back against the turnbuckle, Kasai grabbed a light tube, got on the second turnbuckle, and headbutted the light tube into Numazawa's forehead. Feeling confident that he was firmly in control, Kasai came down from the second turnbuckle, walked away from Numazawa for a moment and checked to see if his head was bleeding as a result of his headbutt attack from a moment earlier. This turned out to be a mistake, because as he walked back over to Numazawa, he was met by a kick to the stomach. The two men then began exchanging blows until Numazawa gained the upper hand. He took a moment to play to the crowd, but it cost him, because it gave Kasai the opportunity to grab a light tube and smash Numazawa over the head with it when he turned back around.

Numazawa dropped to his knees and slumped over the second rope. Taking advantage of the situation, Kasai brought him to his feet, Irish whipped him into the double ladder, and then charged towards him, hitting Numazwa with a shoulder block to the gut. Kasai followed up by snap suplexing him to the mat, and then began a climb up the ladder. Numazawa got up to his feet and tried to climb up after Kasai, but Kasai sent him falling to the mat back first with a few kicks to the chest. Now at the middle of the ladder, Kasai came down onto Numazawa with a diving headbutt to his stomach. Kasai then went for the cover, only getting a two-count.

Kasai threw Numazawa out of the ring through the second rope, and followed him to the outside, where he Irish whipped Numazawa into chairs in the crowd. When he got back to his feet, Kasai hit Numazawa with a knee lift and a forearm to the back. Kasai then set up two tables side by side, hit him with another forearm shot, and placed Numazawa onto the tables. Kasai then reentered the ring, and climbed up the ladder to the scaffold. When he got there, Kasai saw that Numazawa was climbing up the other side. Kasai met him with a couple of forearm shots, brought him over to the center of the scaffold, and attempted to suplex him off it. Numazawa blocked the move, but Kasai punched him in the side before releasing him. Next, Kasai knee lifted Numazawa and attempted to bodyslam him off the scaffold, but Numazawa blocked the move, escaped with two punches and a kick to Kasai's stomach, and in a move that has to be seen to be believed, gave him a scoop slam piledriver off the scaffold that sent them both crashing through the tables below!

Amazingly, Numazawa struggled back up to his feet, rolled Kasai into the ring, and went for the cover. Although obviously still feeling the effects from the bump through the table, Kasai managed to kick out at the two-count. Numazawa, seemingly confident that a pinfall victory was within his grasp, brought Kasai to his feet, delivered a Spinning Samoan Drop, and went for the cover once again, but once again only getting a two-count. Numazawa then attempted to climb the ladder, but Kasai got up, punched him in the back twice, and positioned his shoulders under Numazawa's legs so that Numazawa was in an electric chair sitting position. Kasai then released him and intended to hit Numazawa with a clothesline, but Numazawa turned around, saw Kasai and ducked, kicked Kasai in the stomach when Kasai turned around, and then lifted Kasai onto his shoulders to attempt another Spinning Samoan Drop. However, Kasai slipped out of his grasp, and standing behind Numazawa, grabbed him around the waist to attempt a German suplex. Numazawa escaped by delivering three back elbows to Kasai's head, rebounded off the ropes, and appeared to intend to do the same on the other side of the ring, but stopped short when he realized that the ladder was right in front of him. Upon turning around, he was hit with a lariat by Kasai, who then went for the cover, only getting a two-count.

Many colorful synonyms have been used to describe Kasai during his career, such as, "crazy" and, "psycho". It's understandable, considering the fact that he has done many incredibly risky spots over the years that has given him the reputation of being one of the best hardcore wrestlers in the industry. At the same time however, Kasai is also one of the most unpredictable, in a very positive way. After Numazawa kicked out, Kasai glanced at a corner of the ring and slowly moved over to it. Then, he stood up and simply watched as Numazawa (who was back up at this point) charged towards him from the other side of the ring. At the last second, Kasai moved out of the way, and Numazawa collided with a light tube cross that was in the corner. Kasai then hoisted him onto the second turnbuckle, placed him in an electric chair sitting position, and dropped him into a facebuster.

Numazawa rolled out of the ring seeking an opportunity to recover, but Kasai followed, where he set up another table and placed Numazawa on top of it. Wanting to make sure that Numazawa would not get up, Kasai duct-taped him to the table (now you know who was one of the first wrestlers to use duct tape during a match!), hit him three times with three different chairs (Kasai is nicknamed, "Crazy Monkey" after all), and then climbed up to the balcony of the arena (hence the, "Monkey" part). Kasai moved himself into position right above where Numazawa was lying, and leaped from the balcony onto Numazawa with his, "Pearl Harbor Splash" finisher. Even more impressive than that was the fact that Kasai got right back up. His adrenaline pumping, Kasai picked up a piece of the now-broken table and smashed it again a turnbuckle post.

Kasai rolled Numazawa back into the ring, bodyslammed him to the mat, and to add insult to injury, blew snot on him. Ready to finish off his opponent, Kasai climbed up to the top rope, donned his eyes with Pearl Harbor bomber goggles (as he traditionally does before ending a match), and once again delivered his, "Pearl Harbor Splash" finisher. Kasai then went for the cover, but Numazawa kicked out when the referee's hand was inches away from making a three-count. Not letting up for a moment, Kasai removed his goggles, bodyslammed Numazawa to the mat, and blew snot on him once again, before placing a bundle of light tubes on top of him. Kasai then climbed the ladder to the scaffold and prepared to leap onto the light tubes with another "Pearl Harbor Splash", but Numazawa quickly got to his feet and climbed up the ladder after Kasai, who met him with punches to the head. Numazawa put a stop to Kasai's offensive attack with a forearm shot to Kasai, and superplexed him off the scaffold to the mat below.

As Kasai lay on the mat, out cold, Numazawa attempted to crawl over to him to make the cover, but collapsed. When they both eventually tried to stand, Numazawa made it to his feet first, Irish whipped Kasai into a corner and followed him with a corner clothesline. Numazawa then perched Kasai on the top turnbuckle, lifted him up and carried him to the middle of the ring, where he delivered a sitout powerbomb on top of the bundle of light tubes that Kasai had introduced into the match earlier. Kasai kicked out at two, but also impressive was the display of psychology presented in that spot. After Kasai had placed the light tube bundle on top of Numazawa, everyone had forgotten about it once Numazawa got up from the mat- except for Numazawa. Being very aware of his surroundings in the ring, not only did Numazawa remember that the bundle was there, but he also utilized it, taking advantage of a "weapon" that Kasai intended to use.

Staying on Kasai, Numazawa bodyslammed him to the mat, and climbed to the top rope, where he attempted a moonsault, but Kasai rolled out the way at the last second. Kasai quickly grabbed another light tube bundle from a corner of the ring and charged towards Numazawa with it once he had gotten to his feet, but Numazawa grabbed hold of the bundle. They both struggled for control of it, until Numawza gained it after kicking Kasai in the stomach. He swung the bundle, but Kasai ducked, positioned himself behind Numazawa, and grabbed him around the waist in preparation for a German suplex. Numazawa responded by swinging the light tube bundle backwards over his head, bashing Kasai in the cranium. Unbeknownst to Numazawa -who still had his back to Kasai and was taking a moment to catch a breather- his light tube attack had no effect on Kasai. Making a superman-like comeback, he once again grabbed Numazawa around the waist, and successfully delivered a German suplex, almost getting a three-count.

Something that must be noted is that Numazawa had not kicked out of the German suplex, Kasai had simply released the hold- he wanted more pain to be inflicted. Not only on Numazawa- but himself as well. He grabbed two light tubes, broke them over his knee, and carved into his chest with the remnants that he was holding in his hand. Throwing the light tubes aside, Kasai then ran across the ring, rebounded off the ropes, ran across the ring to rebound off the ropes on that side (crashing into light tubes that were draped over the ropes in the process), and sent Numazawa to the mat with a lariat. Kasai then quickly went for the cover, and Numazawa barely escaped a three-count.

Kasai quickly got to his feet, and bodyslammed Numazawa back down onto the mat, before placing another light tube bundle onto him, and scaling the ladder up to the scaffold. Kasai once again donned the goggles and leaped off the scaffold with his, "Pearl Harbor Splash" finisher, this time making contact onto the light tube bundle and Numazawa. Kasai hooked the leg and awaited a three-count, but somehow, Numazawa kicked out instead. It was almost shocking, but considering the fact that Numazawa is a former Deathmatch Heavyweight Champion, his resiliency is of no secret to anyone. At the same time however, Kasai was far from giving up, as he looked at the crowd and drew his hand across his throat, signaling that he was going to finish Numazawa off. Kasai brought him to his feet, hooked Numazawa's arms, and prepared to deliver a lifting sitout facebuster. Numazawa quickly escaped however, and delivered his side small package, "Shineway" finisher. Numazawa's version of a small package is the most effective one in the industry, because he pins his opponent's shoulders to the mat with the same force that he would administer a scoop slam piledriver. Still, Kasai managed to kick out of the move, proving his intestinal fortitude.

Numazawa's was fired up with energy, as he grabbed a light tube and broke it over his own head. Numazawa then attempted to clothesline Kasai, who ducked and disoriented Numazawa by seeming to attempt a full nelson one moment, but then spun him around the next, before hooking him in a back slide into a sitout pin, only getting a two-count. Kasai was still in control of the match though, and had no intention of giving that up. He brought Numazawa to his feet, and once again hooked his arms to set up the lifting sitout facebuster that he had attempted before, and this time he was successful. Kasai then made the cover and gained the victory.

The best aspect of this match is that it was ironically titled, "Madness of Massacre". Even with tables and light tubes being used, Kasai and Numazawa presented a match with psychology from the opening bell to the end of the match. Ring presence and quick-thinking were included in this match, and every move that was done by both men, was done for a reason. This is a match that should be watched by all pro-wrestling fans, both hardcore wrestling and non-hardcore wrestling enthusiasts alike. So don't wait, visit the Big Japan Shop right now to order Dainichi Daisen 09 Vol 2! Not only will you see Jun Kasai vs. Jaki Numazawa, but you will also see: Shadow WX & The Winger vs. Abdullah Kobayashi & MASADA in a, "Fluorescent Light Tube & Barbed Wire Board" tag match! Isami Kodaka & Masashi Takeda vs. Katsumasa Inoue & Kankuro Hoshino in a, "Barbed Wire Board Death Match"! Atsushi Ohashi & Yuji Okabayashi vs. Daisuke Sekimoto & Masato Tanaka! Shinya Ishikawa & Yoshihito Sasaki vs. Yuko Miyamoto & Takashi Sasaki! Masada & Abdullah Kobayashi vs. Shuji Ishikawa & Ryuji Ito in a, "Hardcore" tag match! Yuko Miyamoto & Takashi Sasaki vs. Masashi Takeda & Isami Kodaka in a, "Fluorescent Light Stick & Double Board Deathmatch"!

Harold Williams
@HWilliams13 on Twitter